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Monumentalism is an architectural and artistic approach emphasizing grand scale, durability, and intense symbolism, designed to evoke awe and project authority or historical significance. It often features austere, symmetrical, and geometric forms crafted from permanent materials like stone or concrete, frequently used to promote political, state, or civic power. Key Characteristics Colossal Scale: Focuses on immense size to dominate the landscape. Permanence & Stability: Utilizes materials intended to last for centuries. Symbolic Power: Commonly used to glorify specific regimes, ideologies, or historical events. Simple Aesthetics: Often features geometric shapes, strong symmetry, and simplified, austere, and massive structures.

1875–1920
Modest Danylovych Sosenko (April 28, 1875, Porohy, Austro-Hungarian Empire – February 4, 1920, Lviv, West Ukrainian People’s Republic) was a prominent Ukrainian monumentalist whose work is characterized by a synthesis of ancient traditions and modern European trends. His style is often described as a synthetic style or Ukrainian Art Nouveau in sacred art.

1882–1937
Founder of Boychukism, a monumental school synthesising Byzantine, Quattrocento and Ukrainian folk art; co-founder/rector of the Ukrainian State Academy of Arts. Executed by the NKVD on 13 July 1937; nearly all his monumental works were destroyed.
Modest Sosenko