
Oleksii Fishchenko
Олексій Фіщенко
1920–2010 · Uman, Kyiv Governorate, Ukraine
Oleksii Fishchenko (1920–2010) was a Ukrainian graphic artist and printmaker, a People's Artist of Ukraine, best known for large colour linocuts of Ukrainian landscape and of Kyiv. He cut his blocks in multiple boards and printed them by hand, without a press, which gave his prints an unusually dense, painterly colour. His long series «Ритми. Київ» (Rhythms. Kyiv), begun in the 1980s, is his signature cycle.
Oleksii Fedorovych Fishchenko was born on 29 December 1920 in Uman and died on 15 February 2010 in Kyiv. He trained late, graduating from the Hrekov Art College in Odesa in 1953 and then from the Kyiv State Art Institute in 1959, where he studied easel graphics in the studio of Oleksandr Pashchenko. He joined the Union of Artists in 1960 and remained a member of the National Union of Artists of Ukraine for the rest of his life. Fishchenko worked across colour linocut, pencil drawing, watercolour and pastel, and also painted and illustrated books, but his reputation rests on the linocut: he cut each colour on a separate board and pulled his impressions by hand rather than on a press, building up saturated, layered surfaces that read almost as paintings. His landscape cycles include «Канів» (1957–59), «Тарасова земля», «Моя Батьківщина» (1961) and «Карпати» (1961–70), and individual sheets such as «Звучання полів» (1967), «Тиша сторожа» (1969), «Бархат гір» (1969) and «Весняний день» (1970). From the 1980s he concentrated on the city in the cycle «Ритми. Київ», a body of decoratively structured Kyiv views in which architecture is reduced to interlocking planes of colour; sheets from it are dated from 1988 into the 1990s. He also made portraits, among them Taras Shevchenko (1982), the sculptor Vasyl Borodai (1994), a self-portrait (1997) and Mykola Khvyliovyi (2001). He was named an Honoured Art Worker of the Ukrainian SSR in 1969 and a People's Artist of Ukraine in 2000. His prints are held by the Khmelnytskyi Regional Art Museum and other Ukrainian collections, and the Kyiv Art Gallery has shown his cityscapes.
Art Movements
Ukrainian Graphic Art & Book Design
An early-20th-century renaissance of Ukrainian graphic art, typography, book illustration and state symbolism. Its founding figure Heorhiy Narbut created the visual identity of the modern Ukrainian state.
Explore movement →1991–presentContemporary Ukrainian Painting
Painting made in independent Ukraine, from the 1991 declaration of independence onward. It is pluralist rather than programmatic: plein-air landscape and psychological portraiture continue alongside conceptual, minimalist and symbolist strands, with a marked turn after 2014 and especially after 2022 toward wartime subjects, national memory and the vernacular Ukrainian village.
Explore movement →Works by Oleksii Fishchenko

From the series Rhythms. Kyiv
An untitled sheet from the Rhythms. Kyiv cycle, signed and dated by the artist at lower right, and the earliest securely dated print from the series located in this research. Its near-square format and flattened colour planes set the pattern for the whole cycle.

Mystery of Dusk, from the series Rhythms. Kyiv
A twilight view of Kyiv in which domes and rooflines are pressed into overlapping bands of deepening colour. It is one of four sheets from the cycle held by the Khmelnytskyi museum.

Break of Evening Light, from the series Rhythms. Kyiv
Evening light fractures across the Kyiv skyline, the composition built from the abrupt tonal breaks the title names. It shows how far Fishchenko pushed the multi-board linocut toward the effect of painting.

In Daylight Radiance, from the series Rhythms. Kyiv
The daylight counterpart within the cycle, with the city dissolved into high-keyed planes of light. The artist inscribed the title in pencil in six lines on the reverse.